E13 — Pattern Essays

The Coiled Spring#

Essay4 min read
1 min read
◆ The PatternQuiet gathers before loud. A narrowing range warns about size, not direction

In 1963 Benoît Mandelbrot noticed something about cotton prices that every trader already felt: large changes tend to be followed by large changes, of either sign, and small changes by small ones. Calm comes in stretches, and so do storms. Volatility has a memory even when direction does not.

That memory gives markets a rhythm. A range narrows day by day as buyers and sellers drift towards agreement, positions pile up on both sides of a level, and the news everyone is waiting for has not yet arrived. Then something resolves, and the stored-up disagreement is released at once. The quiet was not the absence of risk. It was risk being wound up.

On the chart — the shapes of compression

Most of the classic continuation patterns are drawings of a narrowing range. The symmetric triangle squeezes from both sides; the ascending and descending triangles hold one side flat while the other closes in. Bull flags, bear flags and pennants are short pauses after a sharp move; rising and falling wedges narrow while they drift; the rectangle and the channel keep the range steady. The broadening formation is the same idea run backwards: a range that keeps widening is uncertainty growing, not settling.

Around the price — measuring the squeeze

Envelopes turn the eye’s judgement into a number. Keltner channels scale with the average true range, Donchian channels with the highest high and lowest low, VWAP bands with dispersion around the volume-weighted price, and Bollinger Bands with the standard deviation. When the bands pinch together, traders call it a squeeze: the market is unusually quiet compared with its own recent past.

In the model — calm that does not last

Volatility models such as GARCH write the rhythm down. Today’s variance is built from yesterday’s variance and yesterday’s shock, so calm predicts calm — but only for a while, because the model also pulls volatility back towards its long-run level. An unusually quiet market is, in this view, a market that is likely to get louder.

The same shape turns up far from markets. In 1910 the geologist Harry Fielding Reid explained earthquakes as elastic rebound: the ground on either side of a fault creeps past slowly for years while the fault stays locked, strain builds silently, and then it is released in one slip. Stillness on the surface was storage underneath. And like Mandelbrot’s prices, the pattern looks the same whether you watch minutes or months, which makes it a cousin of the fractal and of the threshold.

What compression does not tell you is which way the spring will jump. A tight triangle says a large move is more likely than usual; it says much less about its sign, and plenty of squeezes simply fizzle out into another quiet range.

Compression 60%
Price and its 10-day range. Drag to squeeze the quiet phase harder and watch the release grow
What to rememberA narrowing range is a warning about size, not a forecast of direction. Size a position for the release, not for the calm that came before it.
References
[1] Mandelbrot, B. (1963). The Variation of Certain Speculative Prices. Journal of Business, 36(4), 394–419. doi:10.1086/294632
[2] Engle, R. F. (1982). Autoregressive Conditional Heteroscedasticity with Estimates of the Variance of United Kingdom Inflation. Econometrica, 50(4), 987–1007. doi:10.2307/1912773
[3] Bollerslev, T. (1986). Generalized Autoregressive Conditional Heteroskedasticity. Journal of Econometrics, 31(3), 307–327. doi:10.1016/0304-4076(86)90063-1
[4] Reid, H. F. (1910). The Mechanics of the Earthquake. The California Earthquake of April 18, 1906: Report of the State Earthquake Investigation Commission, Vol. 2. Carnegie Institution of Washington.
[5] Bulkowski, T. N. (2005). Encyclopedia of Chart Patterns (2nd ed.). Wiley.

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Pattern bridge: The squeeze is measured with the average true range and sized for with volatility-based position sizing — the calm tells you how small the next stop would be, and how wrong that could prove.
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